Negotiations of space and form are explored through the playful sculptures and assemblages of Megan Smith’s practice. Sculptural language is used to blur ideas of spatial relationships. Forms from the everyday are merged, counteracting their associations. Sculptures echoing the familiarity of architectural structures, food and bodily parts exploit the idea of interior and exterior spaces.
Kindly supported using public funding by the National Lottery through Arts Council England, Leicester City Council and De Montfort University.